![]() Sounds to me like you should be most concerned with low latency performance. How low you can go ultimately depends your computer's CPU ability. so if your demands on mainstage are mild then you will run at lower latency no matter which brand of interface you use. If your demands of mainstage are higher then the quality of the interface's driver and the CPU overhead the driver imposes is going to impact how low you can go with latency.įocusrite do not have a good rep in this area. ![]() ![]() MOTU has a better rep and best of all are RME and Metric Halo with maybe Apogee up there as well. You will be lucky if you can purchase any of those better brands smallest models within your budget.ĪNother solution is to purchase an optical to analog converter box instead. What many don't know is that the built in interface can input/output analog or optical digital audio from the small connectors provided. This box effectively uses the macs built in audio interface but puts better quality converters on the end than the built in converters. Apple mainstage flowchart driver Plugin an analog connector and the mac will send/ receive analog audio, plugin an optical connector and the mac knows and will input/ output optical digital audio signals. I've had great low latency performance from a mac going this way. If you have a recent MacBook Pro and decent ram you should expect to run at a 32 sample buffer setting in main stages driver settings. If you needed midi ports you purchase a 1x1 interface for very little money. Most know (obviously) that the mac has a built in sound card or audio interface otherwise how would mac output it's audio. And seamless Patch switching lets you hold a chord in one sound while moving to a new Patch.Plugin an analog connector and the mac will send/ receive analog audio, plugin an optical connector and the mac knows and will input/ output optical digital audio signals. With Multimapping, you can map multiple parameters to a single control, so you can smoothly manipulate your sound without trying to turn several knobs at once. Start walking a bassline up the keyboard, and the split point moves up so the bass doesn’t suddenly become some other sound when you get into the higher notes. Perform live with 100 instrument, effect and MIDI plug-ins, or work with Audio Units plug-ins. Flowchart Designer is a lightweight flowchart editor. MainStage lets you take your Mac to the stage with a full-screen interface optimised for live performance, flexible hardware control, and a massive collection of plug-ins and sounds that are fully compatible with Logic Pro. It intelligently moves the split point on a split keyboard Patch to respond to what you’re playing. Download Flowchart Designer for macOS 10.13 or later and enjoy it on your Mac. For starters, there’s the Floating Split Point. MainStage is not only an amazing host for software instruments and effects, it’s also packed with innovations that let you shine on stage. Or bring the authentic sounds of a Hammond B3 organ, Hohner Clavinet D6, or Fender Rhodes or Wurlitzer electric pianos on stage. Use Retro Synth to recreate your favourite electronic sounds from the ’70s and ’80s with an intuitive set of controls. And Chord Trigger allows you to press a single note and have it trigger an entire complex chord. The Arpeggiator features note-based remote controls and flexible latch modes. Take your performance beyond what you can actually perform.
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